Saturday, November 21, 2009

Grow Your Own Sci-Fi Fantasy


I was reading that wonderful book, Painting the Roses White, by Barbara Wenzel this morning. That sent me to the internet to drool over Barbara's favourite roses... which brought me to the David Austin home page at http://www.davidaustinroses.com/australian/. Here, I discovered an orange rose named "Pegasus".
I've been watching Battlestar Gallactica, and last night chanced to be the episode when the Battlestar Pegasus crashed and burned, therefore... well, if you don't understand my thought processes from that point, you'd better find a more congenial blog:-)
I already knew about the yellow rose Dr A J Verhage, which stars in so many rose pedigrees, but I was pleased to find The Doctor, a dark pink rose from 1936. You can find it at http://www.classicroses.co.uk/roses/search.php
I couldn't find a Gallactica, but there are plenty of Gallicas, which is pretty close. There are several roses called Apollo. I couldn't find a Starbuck, or a Kobol, but there's a minature moss rose named Kara, and three roses called Kobold. There's also a Madam President and more than one Laura, and a couple of Sharons, no Caprica, but two Capricorns and a Capricornus.
Reverting to The Doctor, there are several roses named Martha, a florists' rose named Donna, no Sarah Janes (but you could grow a Sarah and a Jane next to one another!) a floribunda named Dodo, several roses named Zoe, and a Katerina. As for Roses... their name is legion. At this point, I gave up looking for Companions (because their name is also legion) and moved on.
I found two Enterprises, a Kirke, but no Kirk, a Deanna, no Vulcan, but a Vulcain.
Moving on again, I discovered a General Jack, several Samanthas, and a Carter, a Daniel and a Dr. Jackson, no Jonas, but a Young Quinn, a Janet Frazer, lots of Elizabeths, a Beckett's Single (OK, so that's stretching it rather) and two roses named Atlantis.
Time constrained me to cease my search at this point, but I was agreeably surprised at the possibilities. If you want a go yourself, try http://www.helpmefind.com/plant/index.php, which kindly allows keywords, "begins with", "contains" and "sounds like"!

The rose in the picture is Double Delight... oh, and if you'd like to doubly delight ME, you'll leave a comment and check out REPLAY, my fantasy novel, available as a PDF or paperback from http://www.lulu.com/content/paperback-book/replay/830605

Friday, November 20, 2009

Want a free cookbook?


My cookbook, SALLYO'S KITCHEN, is available as part of the Great Cookbook Giveaway. To grab your download, visit http://www.affordablemanuscriptassessments.com/products.htm

If you want more than one cookbook, or if you would like to add your own cooking-related gift to the Giveaway, click on the Great Cookbook Giveaway banner on my page.



You have until the 16/12/09 to pick up your download.

Tuesday, October 27, 2009

Power Cut

I was working away at Chapter 13 in the early hours when the power went off. The UPS began beeping, and I was bathed in the unholy glow of the various lights on the DVD player and the screen of my computer. I waited a few seconds in case it was a minor glitch, then decided to call it a night.
Control-Save. Sleep.
The computer screen light cut out and I realised I should have left it awake for another few moments. Since my computer hates being woken when it's just gone to sleep, I abandoned the idea of shaking its shoulder and instead got up (cautiously) and shuffled forward to rest it on its little platform. I unplugged it, in case the power spiked when it came back on. (I saw a power spike once. Sparks shot out of power points and those power safety thingies melted.) Next, I located the heater and felt my way along its cord to the extension, which I pulled. Then I betook myself to the bathroom.
Working by feel, I located my toothbrush and the paste. Having removed the lid, I decided the paste smelt wrong, so I put it back and took another tube from the drawer. Just as well I did, since it later devolved I'd picked up a tube of "A Little Bit of Relief" instead. Having brushed my teeth, I tried to rinse. No go. The pump was (temporarily) dead.
I gave up and went to bed. A few mionutes later, some clonks and whirrs announced the power had come back on.
All this goes to show how much we rely on electricity. But no, this is not going to be a spiel about how decadent we've all become. If we didn't have electricity, then we'd have candles and matches to hand. We'd have lanterns, ticky-clocks, and ewers of water on the wash stand. Because we do have electricity, we do not have lanterns. Because I have a computer, I do not have a typewriter. As my husband said, what would happen if I had to go back to typing? Well... I'd find running my business almost impossible because I rely on my computer. I am no longer set up with carbon papers, Tip-Ex and ring binders. I'm not even sure it's possible to buy Tip-Ex any more. Where would I buy a ewer? Or a lantern?
... and of course if I lived in the time of lanterns and ewers, I wouldn't have almost brushed my teeth with embrocation. It wouldn't have been invented yet.

Friday, October 16, 2009

Password Protected

Am I the only person who continually gets locked out of my various online accounts because I can't remember my password? Sounds easy enough - set up a username and password, log in, and Robert's your mother's brother. However...

My attempts at setting up accounts generally go something like this.

Set your username: JANNY (well... I'm not about to give you my real log in, eh? 'course not. I can't remember it!) Naturally, I write it down.
Username not available. Suggest JANNYA19, JANNYX&5 OR JANNYP79Q
I type in JANNYP, and write that down.
Username not available. Suggest JANNYPZ59, JANNYPX((5 OR PJANNY740Z
Grrrrrrrr.
Sulkily, I select JANNYA19.
Set your password: PANSY. I write it down.
Password strength: weak.
PANSYPANSY:
Password strength: weak. Password must include at least one non-letter character.
PANSYPANSY1. I write that down.
Password not available.
PANSYPANSY2
Password not available.
PANZYPANSY2
Success! Login to go to your account now.
OK, so that wasn't difficult, was it? I have only to type in JANNYA19 and then PANSYPANSY2.
Only of course that doesn't work, 'cos I forgot to change the S into a Z. I meant to write it down, but after writing down several failed attempts, I just gave up. So, next time I try to log in, I have to hit Forgot password. The site obligingly sends me a new one, and then asks me to enter my old one so I can change it to the new one. Only I can't, because I forgot the old one. And the new one is something like BEETLETRACKSANSCRITX19OOPS 56 and I can't remember it. And the verification box is full of drunken squiggles that might be 2s, zs, Zs or 7s. Maybe.
My accounts are securely password protected all right. They're password protected from ME!

Sunday, August 23, 2009

Welcome Claire Saxby!


Claire Saxby is talking about her new picture book, Sheep, Goat and the Creaking Gate. The first question I asked her reflects the problems with googling titles... I happened upon a site that miss-punctuated the title!

Welcome, Claire!
1. The Sheep Goat and the Creaking Gate is a fascinating title. It asks questions immediately; what is a sheep goat? Or is there a comma missing? And is the creaking gate literal, or does it imply something that needs help (oil)? Are any of these questions intentional, or are they serendipitous?

A. There is a comma! The creaking gate was an image that stuck in my head.
Every now and then I wrestle with what I actually meant psychologically, but it eludes me. Certainly nothing intentional. So I'll settle for...it's a device to help draw in the audience. They 'creak' for me every time I mention the word. On the surface level, which is where most children will access the story, it's a sheep who's ignoring what she has for what she wants, and a goat who is temporarily led astray. I toyed with using names for each character (not the gate) but liked the generic names better.

2. Goats and sheep don't star in as many stories as one would expect, given their intelligence and humour (goats) and their iconic Aussie status (sheep). Do you have any idea why this is?

A. No idea at all! I think sheep and goats deserve their place in our literature along with the cuter, cuddlier animals. I do have a fondness for sheep, despite having worked closely with them on a farm. They are funny to watch, generally fairly content with their lot, and I have to say, quite cuddly! (lambs and sheep, not rams...they're not cuddly at all). I have written about sheep before (sort of) in my book 'Runaround Rowdy' although the focus there was on the sheep dogs they worked with. I did want to stay away from stereotypical images of either animal, despite the lighthearted nature of the story, and Judith's cartoon-y illustrations help to keep the story light and funny.

3. Did you have any resistance from editors who wanted you to make this about a more "popular" (fictionally speaking) animal?

A. Not at all. This story has had three lives. One in School Magazine, one online and now here in picture book form. Perhaps the editors all belong to the sheep and goat appreciation society and were secretly cheering the opportunity to give both animals their turn in the sun (and moon and stars).

4. Do you read your texts aloud to "test" them or do you have sufficient "ear" in your mind?

A. Yes, I do read my texts aloud, but also listen to them in my mind (is that possible?). I also test them with a couple of readers. I ask them to point out bits that don't make sense but also to read them aloud. Then I can see how the text operates in the hands/voice of a first-time reader.

5. Is the story based on fact in any degree?

A. I have seen sheep poke their head through a fence to reach something that obviously takes their fancy. This even when they have their own food supply. I've help disentangle them from said fence.Goats are more known for finding things of interest beyond their own fences. I've been slowed down on a few country roads and had to report runaway goats. And I've certainly met my share of creaking gates. But this sheep, this goat and this gate? Never met them before. Pure products of imagination.

Here's a complete list of Claire's stops on her blog tour.

Here is a complete list of the dates so you can join Claire on her blog tour:Monday 17August 2009 Dee White: http://tips4youngwriters.wordpress.com/Tuesday 18 August 2009 Rebecca Newman: http://www.soupblog.wordpress.com/Wednesday 19 August 2009 Mabel Kaplan: http://belka37.blogspot.com/Thursday 20 August 2009 Sandy Fussell: http://www.sandyfussell.blogspot.com/Friday 21 August 2009 Dale Harcombe: http://orangedale.livejournal.com/Saturday 22 August 2009Sally Murphy: http://sallymurphy.blogspot.com/Sunday 23 August 2009 Robyn Opie: http://robynopie.blogspot.com/Monday 24 August 2009Sally Odgers: http://spinningearls.blogspot.com/

Monday, August 3, 2009

Welcome Sandy Fussell!

Today I'm delighted to welcome Sandy Fussell to Spinning Pearls. I've known Sandy for years, so it was fun to find out how she goes about researching her Samurai Kids series. To follow the rest of Sandy's tour, check out the venues at the end of her post.


The Hour of the Rat – Researching Samurai Kids

Time to confess. I’ve never been to China where Monkey Fist (Book 4) and Shaolin Tiger (Book 3) are set. Nor have I been to Japan where White Crane (Book 1) and Owl Ninja (Book 2) take place. I’ve never studied a martial art or touched a samurai sword. But I desperately want to do all of those things one day and a good friend even suggested I started writing, just so I could.

Where does the world of Monkey Fist and the Samurai Kids come from? It’s inside my head, imaginings drawn from hundreds of hours of careful, detailed research and even more hours of playing around with all things samurai, ninja and Zen. My imagination is the ultimate time travel machine. It can take me across the ocean as easily as it takes me back four hundred years to feudal Japan and imperial China.

In my mind, I always go to Japan first. When I get there it’s the mid 17th century and Japan has a historical relationship with China (always shaky) and Korea (even shakier after the Japanese invade). So I go to these places too. In Monkey Fist I journey to the Forbidden City, deep in the heart of Beijing, accompanied by the mysterious Chinese ninja.

I spent hours poring over maps and diagrams. Looking at photographs of artefacts. Sometimes I sat in my cotton kimono, listening to shakuhachi flute music. I was fortunate to interview the Australian Shakuhachi flute master Riley Lee (the interview is on the Samurai Kids website).

Just like Sensei, I have a gong I’ve been known to bang in the middle of the night, to find just the right onomatopoeia for its sound. I discovered Sensei’s wisdoms in the many Zen, Tao and Confucian texts I read. Some I found in my own sense of humour. (“Sensei sounds just like you,” my eldest son said, accusingly.) I went to sword fighting classes. I learned how swords are made, how to imagine the moves and choreograph a sword fight. I also learned I should never be allowed anywhere near a real sword. Luckily I wouldn’t do too much damage with my wooden bokken.

The best research tip I ever received came from Felicity Pulman, author of the wonderful Janna Mysteries. “Never overlook the value of pictures in non-fiction books meant for children,” she told a roomful of aspiring historical fiction writers, including me. It’s wonderful advice. Adult non-fiction often assumes we can work it out from the words. But children’s books often contain wonderful artistic impressions that kick-start the imagination. Japanese castle layouts. Battle scenes. Samurai heroes and ninja villains.

My constant companion for the writing of Samurai Kids still is Miyamoto Musashi’s The Book of Five Rings. The legendary samurai swordsman wrote it after he grew weary of fighting and retired to live the last years of his life alone in a cave. Every time I read it, and I read it over and over again, a fuse is lit in my imagination. I am transported into the world of samurai honour and swordsmanship principles. I am on 17th century north-east Asia time. When I finish writing for the night, it’s not one am. It’s the Hour of the Rat drawing to a close….
Follow the tour:

Sat Aug 1 Dee White http://tips4youngwriters.wordpress.com/
Sun Aug 2 Dale Harcombe http://www.livejournal.com/users/orangedale
Mon Aug 3 here! http://www.letshavewords.blogspot.com/
Tues Aug 4 Sally Odgers http://spinningpearls.blogspot.com/
Wed Aug 5 Mabel Kaplan http://belka37.blogspot.com/
Thurs Aug 6 Sally Murphy http://sallymurphy.blogspot.com/
Fri Aug 7 Robyn Opie http://robynopie.blogspot.com/
Sat Aug 8 Rebecca Newman www.soupblog.wordpress.com
Sun Aug 9 Susan Stephenson http://thebookchook.blogspot.com/
Mon Aug 10 Jefferey E Doherty http://wordsandpictures.blogspot.com/

Tuesday, June 30, 2009

(Giving our kids) A REASON TO WRITE

In April 2009 I had an email from a high school teacher, asking if I could suggest a source for one of my books. The book in question was a handbook for teachers, outlining writing workshops to use with schoolchildren. I suggested some bookshops, but no one seemed to have stock. Having had no luck sourcing copies from the publisher, I decided to write a completely new book on the same subject.

"Just a small book," I assured myself. "One about 6-7000 words, like your picture book writing workshop."

Blithely, I set to work.

43,000 words and many mini interviews later, the first draft of Reason to Write was done. Now came the hard part, deciding on a title. I found that using the short version Reason to Write, gave people the wrong impression. Almost everyone thought this was a book for adult writers who wanted to be published. No, no, been there, done that. Then they thought it was a handbook for children to use. No, no, haven't done that yet, but probably will. What is it then?

It's a handbook for adults who want to help children with their writing. Got it? Yes, they had it, but I couldn't explain that to potential customers, could I? Reluctantly, I decided the book needed a subtitle.

Many were suggested and considered. A handbook for parents. Yes, but it's also for teachers. A handbook for teachers. Yes, but it's for parents too. A handbook for teachers and parents. Too long.

Children's writing. Yes, but it sounds as if it might be for adults who want to write for children.

Child writers. Yes, but that sounds like a study of children who are writers.

Helping children write. Yes, but that could be about actual writing lessons.

The more subtitles I considered, the more I realised no subtitle of a reasonable length could explain the book's content and purpose. Finally, I hit on the idea of a subtitle that came first. How would that look?

Oddly, it looked OK. That's why the book is called (Giving our kids) A REASON TO WRITE.

Phew! Now the title was out of the way, I had to think about publishing... and that's another story. Tune in tomorrow! And, if you want to see, preview or buy the book itself as a PDF or paperback, follow the link. Reason to Write